CineStill 800T Film In Daylight


Blue has always been my favorite color, but not when it shows up in my 35mm film scans. The appearance of a dominant blue hue can wreak havoc on pictures and require lots of editing and color balancing, both of which take the magic and spontaneity out of 35mm film photography. That said, I was curious to see what would result if I shot a roll of CineStill 800T in bright daylight with my Yashica T5.

What would the pictures look like? 

Given that CineStill 800T is a color-balanced tungsten color negative film, and my Yashica T5 is a simple point-and-shoot camera that doesn’t accommodate filters or any kind, I had no idea what the pictures would end up looking like. Would the bright sunlight be too difficult to balance out properly? Would the pictures end up awash in blue and therefore be rendered worthless? There was only one way to find out. 


Two rolls of CineStill 800T with a Yashica T5.

I loaded a fresh roll of CineStill 800T into my Yashica T5 and hit the streets on a bright sunny day in Southern California. I took pictures of anything and everything that seemed interesting, and that would present me with nice-looking images. These included storefronts, classic automobiles, vintage signs, and old buildings. I made a point of shooting with as much daylight as possible and, as a result, my Yashica T5’s flash never fired. As the late afternoon shadows started to appear, I had already shot two rolls of CineStill 800T. I put both rolls into my camera bag and called it a day.


Colors, contrast and fine grain.

The film lab I use specializes in C-41 processing and has the latest scanners, so I was really looking forward to seeing my pictures. When I did, I was pleasantly surprised to see vidid colors, sharp contrast, and the fine grain that CineStill film is known for. There is only a slight blue tone on several pictures, and it looks really good. 

In summary, I know that CineStill 800T is ideal for low-light situations like indoor shooting, nighttime shooting, or under warm tungsten lighting, but it is also great for the outdoors. Street scenes look fantastic, and the occasional red or orange halation might appear when shooting with strong backlight. I am a fan of 1970s motion pictures and television shows, so this greatly boosts my appreciation for CineStill 800T film. If you want to experiment with film photography and go against the grain, I highly recommend shooting a roll of this film stock to see what develops.